Maelstrom

Maelstrom

In early summer 1983 Michael Bird and his wife, Olive, took a holiday, sailing the Hurtigruten, the coastal steamer, up the coast of Norway from Bergen to Kirkens. Richard Wakeley, Bird's agent, says the Scandinavians, like the Greeks years before, had made overtures about locating a story in that part of the world. Bird discussed with the Tourist Board the possibility of something set in Norway and, keen to co-operate, they alerted Tourist Offices along the route to make him welcome.

Bente Saxon of the Alesund Tourist Office says, "although we met for only a couple of hours we got on very well and discussed possible ideas for a story." After he returned to England Bird wrote to Saxon telling her that the story had started to take shape, and later that summer, while she was on holiday in London, they met and he gave her a copy of the outline for Maelstrom. You can download a copy of the story outline from the 'Production' page. Those scary dolls!

Echoing The Outsider two years earlier, Maelstrom begins with a mysterious bequest which draws heroine Catherine Durrell to Norway seeking to discover why a stranger would make her beneficiary to his will. Richard Wakeley says the story did not come as easily as other series and he recalls the writer complaining that it was hard work. In Germany the series was appropriately re-titled "Eine Unheimliche Erbschaft" (An Uncanny Inheritance). In Finland it became "Hiidenvirta", which translates as "Devil's Stream".

Once the go ahead had been given, Bente Saxon says, the production team moved very quickly. "We were told the BBC had a cancellation of a planned series and if we got everything organised quickly at this end they would start filming the following Spring." The BBC made their first reccy in September 1983 and location filming began in May 1984. Bente was appointed "Norwegian Liaison" and receives a credit on the end titles. Studio recording took place the following Autumn and the series aired in February 1985.

Producer Vere Lorrimer had produced Bird's previous BBC serial The Dark Side of the Sun. He had a long career with the BBC and, amongst other shows, had produced Blake's Seven and Tenko. The director, the late David Maloney, was another BBC stalwart having directed many episodes of Dr Who, Z Cars and Softly, Softly and for a time had also produced Blake's Seven, When the Boat Comes In and Day of the Triffids. When told Maelstrom was to be set in the small Norwegian port of Alesund Maloney surprised everyone by saying, "I know the place." He had spent a holiday there.

Bente Saxon is in no doubt that Maelstrom was the catalyst for Alesund becoming an internationally known tourist destination. "I remember the year it was shown on Dutch television," she says, "the town was full of Dutch people. The same with the Fins, the local newspaper I remember even had photographs of traffic jams with Finnish cars parked all over the place!" It also gave credibility to the Tourist Organisation there. "Before Maelstrom," Bente says, "we were a small organisation struggling to survive. After, we got a lot more support from the local community, people with more influence on our board, more financial support from the Council."

A little speculation

Website visitor Chris Williams has been indulging in a bit of speculation about possible influences/inspiration for Maelstrom.

Chris was watching a film adaptation of H.P. Lovecraft's The Shuttered Room made in 1968 starring Carol Lynley, Gig Young, and Oliver Reed. The plot/storyline is of a woman, Susannah Whately, who left home when she was very little as her parents had died. On turning twenty-one she inherits the family home, a large Mill, which is on an island that is only accessible by boat or a small car ferry. It is still standing but neglected and run down.

Now married she returns to claim it with her husband. Once there, strange things begin to happen and locals are clearly hiding something, constantly referring to the Whately curse. Susannah is attacked by locals, a girl is horribly killed at the Mill, and everyone tries to warn her off. Her Aunt Agatha (who is very elderly and lives nearby), is keeping a secret too and lies about what happened at the Mill when Susannah went away.

Susannah's husband questions Aunt Agatha, who eventually reveals the truth.

Susannah is at the Mill and discovers a local man who has been attacked by something and falls to his death from a room at the very top. Susannah investigates and climbs the stairs. She is joined by her husband just in time as they discover Susannah's mentally deranged sister chained and imprisoned at the top of the Mill. She is violent and dangerous. She killed her parents and the two locals. Aunt Agatha has looked after her over the years and kept her hidden away out of loyalty to the Whately family, using the Whately curse to hide what was going on.

In the final scenes the Mill catches fire and is burnt to the ground with the camera focusing on the intensity of the fire. Susannah and her husband try to rescue the deranged sister but Aunt Agatha has arrived and has control of her. She refuses to let her go. They both perish in the fire as Aunt Agatha is riddled with guilt and wants there to be an end to it all.

Chris says that with a little reworking it is almost identical to Maelstrom



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